modern music theory and application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
Please watch above video for detailed analysis:
Hi Guys,
Today we will harmonise a simple melody by employing the Diminished 7th chord [Shape]
Here is our melody: A B C D E
Here is our first basic Harmonisation:
Here is a variation:
This time we won’t harmonise every chord:
Finally, we will add some contrary motion as an inflection to create interest and movement.
[Variation]
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PAT MARTINO JAZZ GUITAR FREE PDF DOWNLOAD #1
TRIBUTE TO JAZZ GUITAR VIRTUOSO LEGEND PAT MARTINO: JAZZ EXAMPLES
Example 1-Minor Topic. In this line we move via D Dorian and D melodic minor. Interest is created by employing some colourful chromaticism that also gives continuity to the line. These long fluid lines employ a double timed 16ths feel with an upbeat that creates/anticipates forward movement.
Example 2-This is an outside sounding line that exploits chromaticism with E whole tone and A altered scales.
Example 3-In this line we can see Pat Martinio’s unique use of Arpeggios, Intervals and Scales.
Example 4- In this last example we delve into another one of Pat’s long fluid 16th jazz lines. This time there are two bars played over a static C7 chord. In this line we find, Mixolydian, Lydian Dominant, triad inversions, dyad/ 3rds and chromatic resolution.
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