Today, a quick look at the unique 13th chordVoicing of guitar maestro John mcLaughlin.
PART 1:
This unique voicing possesses a 7th a 9th with the 13th ringing out on top. It has a lovely sonoroustone :
Diagram of a 13th chord voicing showing the 3rd, 7th, 9th, and 13th notes, highlighting the unique structure.
This chord works really well because it’s a 1st inversion, and, without a root it gives us that slightly ethereal painted sound:
Diagram illustrating the D13 chord voicing with 7th, 9th, and 13th notes labeled.
PART 2:
The sonorous nature of this chord makes it shine when moving to a diminished 7th chord for a resolution:
Chord diagram showcasing the D13, F#dim7, and Em7 voicings, essential for understanding the unique textures in John McLaughlin’s 13th chord progression.
This in turn rewards us with fantastic melodic sequences:
Chord progression illustrating John McLaughlin’s unique 13th chord voicing with associated diminished and major chords.Chord diagram illustrating the C13, Edim7, and Dm7 voicings, highlighting their unique structures and relations.
PART 3:
Now, let’s make a sequence by employing strong Major 9th chords that move to John’s brilliant voicing.
If we play the example below we can hear the resonant nature of the two chords.
Chord diagram illustrating E Major 9 and E13 chord voicings in a musical lesson.
Now, let’s create a little chord sequence with them:
John McLaughlin Chord sequence illustration featuring E13, D13, and C13 voicings.
To complete the sequence, we will cadence with a13b9 chord back to the tonic D
Chord diagram for A13b9 and D/A used in the sequence demonstrating John McLaughlin’s 13th chord voicing.
Here, is the full sequence:
Chord sequence illustrating John McLaughlin’s unique 13th chord voicing alongside related Major 9th chords.
PART 4:
John, also makes good dramatic use of this chord by exploiting a pedal note in the bass for rhythmic drive.
Clifford Martin is a trained classical musician and composer. His 1st study being piano and composition and a deep study in the application of modern music theory. He also studied jazz piano and jazz drums privately.
This website is a catalogue of ideas and musical concepts for improvisation and composition.
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