How to do a tremolo on the guitar: Right hand technique

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How to “TREMOLO PICK” Basics Guitar Technique

PLEASE WATCH VIDEO ABOVE FOR DETAILED INFORMATION:

Hi Guys,

Today we will look at the basics of doing a tremolo with the pick on the guitar.

For this basic overview we will start by pivoting our palm on the bridge of the guitar.

tremolo-picking-guitar-technique- how-to

Now we will alternate pick “Down Up Down Up” continuously whilst counting 1 and 2 and 3 and 4 and in simple 8th notes on an open string.

tremolo-picking-guitar-technique- how-to

Now we will double the time with 16th notes and count: 1 e and a 2 e and a 3 e and a 4 e and a and “Accent” the first note in each four note grouping.

tremolo-picking-guitar-technique- how-to

We will now double this with 32nd notes: Below is a music notation diagram to see the tempo build up for a tremolo;

tremolo-picking-guitar-technique- how-to

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Creating “Scales” from Scales Tetrachords [C melodic minor]

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Creating “Scales” from Scales Tetrachords [C melodic minor]

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

The key to making scales from scales wether they be Triadic, Tetrachord, Pentatonic or Hexatonic is to highlight the key notes that give that scale its unique flavour/sound:

Below we can see this in the C melodic minor scale.

how-to-create-scales-jazz-music

The crucial Eb note and B natural note against the C root note tells us that this is not major and that it has a specific vibe/atmosphere to it.

In this first example we will employ 3 notes and 2 notes for highlighting: This employs alternate picking starting on an upstroke:

how-to-create-scales-jazz-music

This next example starts on a “Downstroke” and is even simpler. This is a simple 2 note fingering into a 2 note scale.

how-to-create-scales-jazz-music

Now let’s create an ascending line:

how-to-create-scales-from-scales

HARMONIC MINOR

Next we will add an Ab and make 2 Tetrachord scales from C Harmonic minor and create a little run:

how-to-create-scales-tetrachords-example

This time we will ascend with the C Harmonic minor scale:

how-to-create-scales-jazz-guitar

LASTLY

It’s also a good idea to play the key chord of a scale and then pluck the key note or notes that give that scale it’s unique flavour.

For example below is an F Maj7#11 chord that when you pluck the B natural it really stands out as Lydian:

how-to-create-scales-jazz-guitar

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2 keys “Shifting Positions” alternate picking guitar lesson/exercise

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2 keys alternate picking guitar lesson/exercise: “Shifiting Positions”

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

Here is the analysis for the Youtube “Shorts” 2 keys alternate picking video that I uploaded a few weeks ago.

The key to this exercise is the ability to “Connect” at the point of changing scales/keys:

Here is the chart and diagram:

alternate-picking-guitar-example-chart

As you can see there is a change of harmony and scale. This in turn affects the fingering of the fretting hand and wrist as this quick change happens.

So, there is a tilt or pivot [Please watch video above to see this] as the wrist/hand gets into position:

alternate-picking-right-hand-guitar-technique-pic
alternate-picking-right-hand-guitar-technique-picture

FULL EXERCISE:

This exercise employs strict alternate picking starting on a down stroke:

The use of 4 note groupings [Tetrachords] is to keep the line solid rhythmically. Notice that the 3rd note in each 4 note grouping is accented.

alternate-picking-guitar-example
alternate-picking-guitar-example

Next we come to the “Connection” part. As stated earlier and in the video presentation above the pivot and tilt of the wrist and hand is essential in order to make the smooth connection.

Next we have the“Shifting Position”as the hand holds the same shape but just moves/slides down into the next position.

shifting-position-alternate-picking-guitar-technique
alternate-picking-guitar-example

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