Jazz Guitar Alternate Picking Exercises: ii V7 i [Double Time]

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Jazz Guitar Alternate Picking Exercises: ii v7 I [Double Time]

Hi Guys,

Today, we will look at some alternate picking guitar technique exercises for jazz improvisation when double timing

We will exploit ii V7 I’s as a basis for honing our alternate picking skills whilst employing 4 note tetrachord groupings.

In the first exercise it’s a good idea to accent the third note in each four note grouping. We are also starting on a downstroke:

jazz-guitar-alternate-picking-lesson-exercies

Here is the same exercise but with a variation in the second bar:

jazz-guitar-alternate-picking-lesson-exercies
jazz-guitar-alternate-picking-lesson-exercies

The next exercise will employ groups of 6 notes called sextuplets: As an exercise we will start with an “Upstroke” this time. This will be played over an AmMaj7 pad:

First Part:

jazz-guitar-alternate-picking-lesson-exercies-sextuplets

2nd Part:

jazz-guitar-alternate-picking-lesson-exercies-sextuplets

Full Exercise/Line:

jazz-guitar-alternate-picking-lesson-exercies-sextuplets

The following exercise uses some chromatic movement that smoothly connects to pentatonic movement starting on a downstroke:

jazz-guitar-alternate-picking-lesson-exercies
jazz-guitar-alternate-picking-lesson-exercies

In our final exercise we will join together some of these principles.

jazz-guitar-alternate-picking-lesson-exercies-double-time
jazz-guitar-alternate-picking-lesson-exercies-double-time

This was just a brief look at how to create alternate picking guitar exercises for improvisation through chord changes by applying simple patterns/fingerings that work naturally.

This was only around 140 bpm. But, this is essential before moving onto much quicker tempos with the alternate picking guitar technique.

With the 4 note “Tetrachord” groupings you will get fluidity through the changes. They will give you stability. They can then be broken up to create anticipation and syncopation-which will in turn create the natural expression of musical phrasing.

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Short Alternate Picking [Jazz/Fusion] Style 140 Bpm Exercise

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Short Alternate Picking [Jazz/Fusion] Style 140 Bpm Exercise

Hi Guys,

Today, just a short alternate picking ascending and descending Exercise/lick.

This employs simplified fretboard fingering for quick, clean picking and fretting. This is essential for jazz/fusion tempo’s and also world music.

When adding the simple fingering outlined in the video above and accenting the 1st and 3rd notes in each four note grouping the rhythm and momentum will move forward naturally.

alternate-picking-guitar-technique

Accents on the 3rd note keep the fingering secure, the picking rhythmical and makes sure each group of four is completed properly.

alternate-picking-guitar-technique

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“joy” by shakti- question-answer from different cultural perspectives

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

PLEASE WATCH VIDEO ABOVE FOR DETAILED INFO:

The first part of “Joy” as a Four bar 16 Beat “Teen Taal” Fusion Cycle

First Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Second Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Third Bar

Joy, shakti, john mclaughlin, lesson, Raga, Indian, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Fourth Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Full 4 Bars

joy, shakti, john, mclaughlin, guitar, technique, lesson, tab, music, notation
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Joy, shakti, john, mclaughlin, lesson, guitar, technique, album, cover
“Joy” Shakti/John Mclaughlin Classic Album

Shakti (Shakti album)

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Shakti with John McLaughlin
Live album by Shakti
Released1976
RecordedJuly 5, 1975, at Southampton CollegeLong Island
GenreWorld fusion
Length52:00
LabelColumbia
ProducerJohn McLaughlin
Shakti chronology
Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
John McLaughlin chronology
Inner Worlds
(1976)Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
Review scores
SourceRating
Allmusic [1]
The Penguin Guide to Jazz Recordings[2]
The Rolling Stone Jazz Record Guide[3]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

Shakti with John McLaughlin is the first album by Shakti, described as “another brain blowing achievement” by Agha Yasir [1].

Track listing

Side one

  1. “Joy” (John McLaughlin/L. Shankar) – 18:13
  2. “Lotus Feet” (McLaughlin) – 4:44

Side two

  1. “What Need Have I for This–What Need Have I for That–I Am Dancing at the Feet of My Lord–All Is Bliss–All Is Bliss” (McLaughlin/Shankar) – 29:03

Personnel

Personnel – Production (Record)

  • John McLaughlin – Producer
  • Nathan Weiss – Manager
  • Joseph D’Anna – Engineer
  • Stan Tonkel – Engineer
  • Apeksha Bacciagallupi
  • Pranavanada – Photos
  • Gregory diGiovine – CBS Records
  • Danny Wong – Lettering
  • Marie de Oro – Design

Personnel – Production (CD)

  • Mike Berniker – Producer, Coordination
  • Larry Keyes – Digital Remastering
  • Gary Pacheco – Coordination
  • Penny Armstrong – Coordination
  • Tony Tiller – Package Coordination
  • Pete Cenedella – Package Coordination

Chart performance

YearChartPosition
1976Billboard 200194[4]
1976Billboard Jazz Albums37[4]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

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