Modern Music Theory Improvisation and Application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
Hi Guys!
Just a quick look at two Chick Corea “Dominant” piano licks applied to the guitar.
[Please watch the video above for a deeper analysis].
LICK 1:
3/4 VARIATION LICK: 2
PDF CHICK COREA LICKS:
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PLEASE WATCH VIDEO ABOVE FOR EXAMPLES:
FREE PDF DOWNLOAD
John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.
In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.
Full Lick:
LICK VARIATION:
John Mclaughlin Short ii V I Jazz GuitarLick:
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Please watch video above for detailed analysis:
PDF OF ii V7 I Examples:
This first short ii V7 I is built on 4 note groupings called tetrachords. These employ scale fragments and arpeggios:
Example 1: Short ii V7 I example
The next example is a longer ii V7 I and again employs tetrachords. The first bar employs pentatonic movement whilst the second bar resolves 4-3 and employs arpeggios and scale fragments.
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