John Mclaughlin ii v7 i chromatic jazz lick guitar lesson

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John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

PLEASE WATCH VIDEO ABOVE FOR EXAMPLES:

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John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

Full Lick:

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

LICK VARIATION:

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

John Mclaughlin Short ii V I Jazz GuitarLick:

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

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Jazz/fusion improvisation Altered scale Theory Lesson

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Today we will look at a John Mclaughlin alternate picking Jazz/Fusion improvisation cadence employing the altered dominant chord! Please watch the video below and then try it out yourself.

As you will see this cadence employs the Altered scale. It is a 2 [minor 7 flat 5] going to 5 [ “Altered Dominant”] 1 [major 7th]. This being Dm7 flat 5  G7 altered resolving to C major7.

I also employ a flat 5 substitution on the Dm7 flat 5. All of this resolves though and slips nicely into the altered dominant 5 chord. I also use pentatonics within the altered scale for rhythmic flow. Please look at the TAB/MUSIC below and play through it yourself to see and feel how it all “Naturally” unfolds. I employ alternate picking the same as John Mclaughlin.

John Mclaughlin alternate picking altered scale line Music/Tab

John Mclaughlin Alternate picking Altered scale jazz improviser line

VARIATION With an A flat Pentatonic shape replacing A flat minor/Major Arpeggio for the flat 5 substitution.

 

Altered scale jazz improvisation, jazz improviser lesson

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