Exploring Messiaen’s 7th Mode of Limited Transposition:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Hi Guy’s,

Today, a quick look at the amazing 7th mode of limited transposition employed by the great French composer Olivier Messiaen.

This is a ten note scale [and is almost a chromatic scale apart from two notes: In this blog Bb to E as a tritone]. It has 6 Transpositions:

This mode consists mainly of half steps [semitones], but, there are two whole steps that divide this and give this mode its unique sound.

messiaen_mode_7_limited_transposition_lesson_diagram

Let’s now create an interesting guitar line from this mode 7.

This works well as a Robert Fripp style phrase/line as the intervals lend themselves well to tritone developing material.

messiaen_mode_7_limited_transposition_lesson_diagram_example

Messiaen’s 7th Mode
messiaen_mode_7_limited_transposition_lesson_example

messiaen_mode_7_limited_transposition_lesson_example

messiaen_mode_7_limited_transposition_lesson_example

This line is devised from various intervals like 6ths and 7ths and 3rds that are nice to alternate pick on the guitar for that angular sound once again. This also shows how easy it is to exploit various intervals with this mode/scale form.

Bar 1:

messiaen_mode_7_limited_transposition_lesson_example_guitar

Bar 2:

messiaen_mode_7_limited_transposition_lesson_example_guitar

Bar 3:

messiaen_mode_7_limited_transposition_lesson_example_guitar

These modes works well with 2 note chord voicing’s as Dyads or Double Stops: These are great for comping or creating composition from on the guitar. Also, they are useful for plucking and then playing a lead mode 7 line on.

messiaen_mode_7_limited_transposition_lesson_example_dyads

messiaen_mode_7_limited_transposition_lesson_example

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Free Messiaen Modes E-Book Download

Hi Guys,

I made an E Book from the collected webpages and blogs from this website that wasn’t needed in the end.

So,

Rather than delete it I have posted it here for anyone who might be interested or find it useful:

Exploring Messiaen’s Mode 1: Musical Concepts and Colorful Creations

Unlocking Messiaen’s Mode 1: Guitar Explorations

Hi Guys,

Today a look at Messiaen’s first mode of limited transposition:

This is the Whole tone scale and has two transpositions and one mode. It is a “Hexatonic” scale that has a dreamy, enigmatic air to it due to lack of resolution as all of the tones are the same distance apart.

The goal of this blog post is to create something interesting out of this scale.

Here is the first bar: This employs a Fripp-esque repetitive picking “Riff”

exploring-messiaen-mode-one-Fripp-guitar-style

From here, let’s make a smooth transition with an ascending whole tone scale:

exploring-messiaen-mode-one

Now, let’s employ some 20c Classical Messiaen style “Intervallic” movement to complete the phrase:

exploring-messiaen-mode-one-intervallic-guitar

From here, we will descend with the whole tone scale and connect it to the augmented arpeggio:

exploring-messiaen-mode-one

Let’s now return to and exploit our intervallic movement as we ascend the guitar fingerboard:

exploring-messiaen-mode-one-intervallic-guitar

Finally, let’s finish with some string skipping whole tone scale and a couple of plucks up high:

exploring-messiaen-mode-one-string-skipping-guitar

This was just an example of playing around with musical concepts and creating something colourful and interesting from Messiaen’s Mode 1.

Although, this is only a six note scale it has plenty to offer due to it’s non resolving/non diatonic nature. It works really well for riffs, motifs and hooks and really draws the listeners ear in. Even when used sparingly it can really add colour and texture to a composition [or part of] .

FREE PDF DOWNLOAD:

Exploring Messiaen’s 5th Mode of limited transposition
Messiaen’s modes of limited transposition: