“Jazz Target Tones”- Alternate Picking Guitar Set-Ups Technique

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Target Tones- Alternate Picking Guitar Set-Ups Technique

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Hi Guys!

Today we will have a look at setting up “Jazz Target Tones” with alternate picking guitar technique for fast fluid improvising lines.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Guitar Set-Ups Technique

The example above is the most common and best example of how target tones work and how they are set up. Notice that the weak beat or off beat is the starting note. So, we have [4] e and a as an “Up Beat” [or Anacrusis]. This leads to the strong beat 1 in bar 1.

Now, for alternate picking we need to be aware of what picking stroke we will start on for this weak “Off” beat. Being the “Off” beat and syncopated it will be the “Up Stroke” as in [Down] Up down Up.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

In the Exercise below we will now employ Target Tones within the improvised line itself from the second beat. Again, notice that the target tones start on the “Up Stroke” and resolve to the on [1st] beat of the next chord smoothly with the down stroke.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

With this method you will always know where you are in the bar rhythmically, when you are on the off beat [Up Stroke] and what stroke you will start the next “On” beat with [Down stroke].

Here’s another example:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

It’s also helpful to accent the 1st note in each four note grouping as this will create the jazz feel and thrust the target tones along rhythmically whilst moving your fretting hand into position.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 1: Ascending Line:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 2: Descending Line:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 3: Extended Line: [Ascending and Descending]

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

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PAT MARTINO JAZZ GUITAR GUITAR LESSONS

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Pat-Martino-jazz-Guitar-Tribute--Minor-Topic-Linear-Expressions-subject-of-blog-picture
Tribute to Pat Martino jazz guitar legend BLOG : With Pat Martino Guitar lesson in jazz improvisation

PAT MARTINO JAZZ GUITAR FREE PDF DOWNLOAD #1

TRIBUTE TO JAZZ GUITAR VIRTUOSO LEGEND PAT MARTINO: JAZZ EXAMPLES

Example 1-Minor Topic. In this line we move via D Dorian and D melodic minor. Interest is created by employing some colourful chromaticism that also gives continuity to the line. These long fluid lines employ a double timed 16ths feel with an upbeat that creates/anticipates forward movement.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Example in tab-notation
Pat Martino Minor Topic Jazz Guitar Chromatic lines lesson

Example 2-This is an outside sounding line that exploits chromaticism with E whole tone and A altered scales.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Whole-Tone-Scale-Example-in tab-music notation
Pat Martino “Whole Tone Scale” jazz outside approach [Guitar lesson]

Example 3-In this line we can see Pat Martinio’s unique use of Arpeggios, Intervals and Scales.

Pat-Martino-jazz-Guitar-Lesson-Examples-arpeggios-scales-Linear-expressions-intervals-Example-in tab-music notation
Pat Martin Jazz guitar arpeggio, intervals and scale example lesson

Example 4- In this last example we delve into another one of Pat’s long fluid 16th jazz lines. This time there are two bars played over a static C7 chord. In this line we find, Mixolydian, Lydian Dominant, triad inversions, dyad/ 3rds and chromatic resolution.

Pat-Martino-jazz-Guitar-Lesson-Examples-Mixolydian-Lydian-Dominant-Linear-Expressions-Example
Pat Martino Mixolydian/Lydian Dominant Chromatic jazz guitar example. [Lesson]

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Enclosure/Target Tones Jazz chromatics for the improvised line

The key to understanding this is to look where the little target tones/enclosure motif/melody starts.

Here we have two.

The first is “OFF” the BEAT

and the second is “ON” the beat

Example 1: “Off Beat” classic target tone/enclosure set-up

Jazz chromatic target tones explained

Example 2: “On the beat” and in the bar set-up in the improvised line [Target tone/Enclosure]

On the beat jazz Target tone/Enclosure for improv

THEORY:

What you will notice is that the Chord tones are “on” the beat [Strong] whilst the chromatic or unessential notes are “Off” the beat.  

This is the key to how it works and how to create beautiful flowing lines easily!

Bebop target tones enclosure jazz improvisation explanation
Chord tones on the “Strong” Beats for jazz enclosure

Full Target tones/Enclosure Jazz Chromatics improvisation lick/line

Target tones/Enclosure Jazz Chromatics improv lick/line

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