Modern Chromatic Jazz Fusion Improvisation harmonic techniques as used by Brecker, Mclaughlin Fripp and Liebman

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DETAILED ANALYSIS IN THE VIDEO BELOW:

Modern chromatic improvisation jazz fusion techniques: Brecker, Mclaughlin, Liebman, Fripp etc

In this blog we will look at improvising over one chord. This will be D minor [D Dorian].

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

The key is to use chromaticism, tertian harmony, superimposition and outside harmonic content in order to create interesting improvised lines and move away from the cliches of scales and modes to create originality.

For example:

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

The key for smoothness is to be aware of where the 1/2 steps [Semitones]are in the “Connections”.

If we look below we can see where the 1/2 steps connect and how to play off of the tonic note with this. In this case we play off of the tonic D note resolving straight into the Eb note for Eb melodic minor. We can then resolve down a half step to C#m and back down into D Dorian

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation
Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation
Chromatic jazz improvisation Brecker, Mclaughlin and creative Fripp improvising concepts

So as you can see it is easy to weave in and out of the harmony and get back to D Dorian via the 1/2 step.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

Below is a line that beautifully weaves in and out of D minor

In this next example we will use tertian harmony and exploit superimposition. We will employ D melodic minor and and keep extending via C melodic minor.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

Now we will extend the whole line:

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

As another idea, there are still useful concepts like “Target Tones”. These can be manipulated without resorting to cliches.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

Lastly we will exploit the use flat 5 concepts. In this case there is an Abmaj7/D and a Cmaj7/F# with which we can be creative.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

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Alternate Picking with cycle 4ths chords guitar lesson

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Today we look at employing alternate picking with chords on the guitar.

The alternate picking group of 4 semiquavers [16ths] notes start with an upstroke. “Up Down Up Down”. This little lick/motif joins the two chords together and creates a compositional movement.

alternate picking guitar chords scale 4ths cycle

Here is the descending music notation and tab. [Chords and alternate picking]

alternate picking guitar chords scale descending

Here is the ascending music notation and tab.

ascending alternate picking guitar chords scale

Descending cycle of 4ths chord sequence [for alternate picking scales with chords].

CYCLE OF 4THA ALTERNATE PICKING SEQUENCE

Ascending cycle of 4ths chord sequence [for alternate picking scales with chords].

Cycle of 4ths alternate picking guitar sequence

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