Alternate Picking Guitar Tetrachords Part 2

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Hi Guys,

This is a response video to the previous video/blog. This is to explain and demonstrate the application of “Tetrachords” a bit further.

Here, I will add the video examples in Tab/Notation:

RECAP= What are Tetrachords:

“Tetrachords” are 4 note groupings to connect harmony/lines together for improvisation [and composition]

alternate-picking-jazz-guitar-tetrachords-example

When mastered they can be broken up into musical phrasing/punctuation:

Broken up/Shifted: Thus creating an upbeat

alternate-picking-jazz-guitar-tetrachords-example

Notes chopped off in the bar: Creating space and rhythmic interest.

alternate-picking-jazz-guitar-tetrachords-example

Breaking up the tetrachords like this helps to create smooth syncopations, anticipations or go the other way and play on the beat:

Now, let’s follow this through to a short extension of the phrase

tetrachords-guitar-improvising-lesson

As always it’s essential to count the time when doing this so that you know where you are in the phrase.

alternate-picking-jazz-guitar-tetrachords-example

In this video and for these examples I am employing strict alternate picking starting on a “Down Stroke”. Down Up Down Up etc.

alternate-picking-jazz-guitar-tetrachords-example

Practicing ii V7 I’s and iii Vi ii V7 I’s in various guises will really help you connect and nail the changes with your alternate picking: Below is an example with II V7 I:

alternate-picking-jazz-guitar-tetrachords-example

Now, let’s connect the harmony/chords together via tetrachords: This first example is in the style of John McLaughlin.

alternate-picking-jazz-guitar-tetrachords-improvisation-example

Notice, how smoothly the pentatonic 4 note groupings connect together

This time we will take a more basic approach with very simple fretting/fingering:

alternate-picking-jazz-guitar-tetrachords-improvisation-example

So, even through these basic examples it’s easy to see how to exploit these 4 note groupings to nail the changes and then break them up into musical phrasing/punctuation: As a further resource I would recommend John McLaughlin excellent DVD called “This is the way I do it”

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Shakti: Indian Raga alternate picking and fretting hand technique[Development]

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Hi Guys,

Today, a quick look at developing Shakti style Fusion guitar Raga’s from the Mixolydian mode.

Below, is the mode in a Pentatonic form:

shakti-indian-raga-guitar-lesson

Next, we have a phrase that is developed from this mode. In order for it to be smooth and fluid at a “Fast” tempo we will change the fingering:

shakti-indian-raga-guitar-lesson

So, here the 2nd finger comes into play. This makes connecting the phrase easy and smooth to execute with alternate picking.

shakti-indian-raga-guitar-lesson

Notice: I am starting on an upstroke. This is because it is a very smooth “Scalic” and mostly step-wise passage.

shakti-indian-raga-guitar-lesson

Below, we are starting with an anacrusis [Up Beat]. Because of this I am starting on a downstroke.

This means that the actual phrase [1st beat of the bar] will start on the upstroke for smooth step-wise scalic movement.

shakti-indian-raga-guitar-lesson

Below, we have the same thing. This time it starts on the off beat in the bar and employs the same concept:

Start on the down so the up carries the smooth scalic movement:

shakti-indian-raga-guitar-lesson

PDF DOWNLOAD “SHAKTI”:

“joy” by shakti- question-answer from different cultural perspectives

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

PLEASE WATCH VIDEO ABOVE FOR DETAILED INFO:

The first part of “Joy” as a Four bar 16 Beat “Teen Taal” Fusion Cycle

First Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Second Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Third Bar

Joy, shakti, john mclaughlin, lesson, Raga, Indian, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Fourth Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Full 4 Bars

joy, shakti, john, mclaughlin, guitar, technique, lesson, tab, music, notation
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Joy, shakti, john, mclaughlin, lesson, guitar, technique, album, cover
“Joy” Shakti/John Mclaughlin Classic Album

Shakti (Shakti album)

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Shakti with John McLaughlin
Live album by Shakti
Released1976
RecordedJuly 5, 1975, at Southampton CollegeLong Island
GenreWorld fusion
Length52:00
LabelColumbia
ProducerJohn McLaughlin
Shakti chronology
Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
John McLaughlin chronology
Inner Worlds
(1976)Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
Review scores
SourceRating
Allmusic [1]
The Penguin Guide to Jazz Recordings[2]
The Rolling Stone Jazz Record Guide[3]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

Shakti with John McLaughlin is the first album by Shakti, described as “another brain blowing achievement” by Agha Yasir [1].

Track listing

Side one

  1. “Joy” (John McLaughlin/L. Shankar) – 18:13
  2. “Lotus Feet” (McLaughlin) – 4:44

Side two

  1. “What Need Have I for This–What Need Have I for That–I Am Dancing at the Feet of My Lord–All Is Bliss–All Is Bliss” (McLaughlin/Shankar) – 29:03

Personnel

Personnel – Production (Record)

  • John McLaughlin – Producer
  • Nathan Weiss – Manager
  • Joseph D’Anna – Engineer
  • Stan Tonkel – Engineer
  • Apeksha Bacciagallupi
  • Pranavanada – Photos
  • Gregory diGiovine – CBS Records
  • Danny Wong – Lettering
  • Marie de Oro – Design

Personnel – Production (CD)

  • Mike Berniker – Producer, Coordination
  • Larry Keyes – Digital Remastering
  • Gary Pacheco – Coordination
  • Penny Armstrong – Coordination
  • Tony Tiller – Package Coordination
  • Pete Cenedella – Package Coordination

Chart performance

YearChartPosition
1976Billboard 200194[4]
1976Billboard Jazz Albums37[4]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

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