A Natural Minor Scale/Chords/Arpeggios:

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A Natural Minor Scale/Arpeggio:Basics

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Today a quick look at the Chords,Scale and Arpeggios of the A natural minor scale.

To begin with this scale is exactly the same as the C Major scale but starting on the 6th degree:

c-major-chords-of-scale-diagram

a-minor-natural-chords-of-scale-diagram

Next we will play through and exploit and “Colour” the arpeggios of the scale:

a-minor-arpeggio-diagram

b-dim-arpeggio-diagram

c-major-arpeggio-diagram

d-minor-arpeggio-diagram

e-minor-arpeggio-diagram

f-major-arpeggio-diagram

g-major-arpeggio-diagram

We will now descend in broken chords in groups of 4 notes.

arpeggios-c-major-scale

Here are a few examples of playing a different arpeggio over a different chord of the scale:

arpeggios-c-major-scale-superimpositions

Here is a basic way of breaking up the scale by employing triplets:

First we will do this on one string:

a-minor-scale-triplets-example

Now we will cross all 6 strings:

a-minor-scale-triplets-example

This time we will employ 16th’s in 4 note groupings of “Tetrachords” creating a double time smooth pentatonic line.

tetrachords-a-natural-minor-scale-example-pentatonic

We can change the Dominant [minor] chord in the A natural minor scale and make it Major:

With this in mind we realise that the G natural is now a G# and so we can employ the A Harmonic minor scale to play over it.

Here is a simple 2 finger fingering:

a-harmonic-minor-scale-dominat-chord-example

Now, let’s extend this:

a-harmonic-minor-scale-dominat-chord-example

We could also use the E7 Arpeggio:

e7-dominant-arpeggios-example

Finally, we have a lick with an arpeggio [that also implies a triad pair] going to a pentatonic phrase:

E-dominat-chord-guitar-lick

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John Mclaughlin minor 7 flat 5 alt Dom I mAJ7th Harmonic minor alternate picking guitar Licks

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John Mclaughlin 2 5 1 Harmonic minor alt/Dom alternate picking guitar Licks Examples Lesson

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The first bar uses the A Harmonic Minor Scale over the Dm7b5 chord. John employs 4 note groupings [“Tetrachords”] to create a quick rhythmic alternate picking drive.

John, Mclaughlin, iim7b5, V7+, I Maj7,  Harmonic, minor, Lick, examples, lesson, tab
John Mclaughlin 2 5 1 Harmonic minor altDom alternate picking guitar Licks

The 2nd bar uses the C minor Pentatonic scale: Notice how the F to E [from the previous bar] fall by 1/2 steps to the Eb creating a smooth connection.

John, Mclaughlin, iim7b5, V7+, I Maj7,  melodic,  minor, Lick, examples, lesson, tab
John Mclaughlin 2 5 1 Harmonic minor altDom alternate picking guitar Licks

In the 2nd example notice how to final two beats employ the C melodic “Jazz” minor scale.

John, Mclaughlin, iim7b5, V7+, I Maj7,   melodic,  minor, Lick, examples, lesson, tab
John Mclaughlin 2 5 1 Harmonic minor altDom alternate picking guitar Licks

John Mclaughlin: iim7b5, V7+, I Maj7, Harmonic, Melodic, minor: Lick 1

John, Mclaughlin, iim7b5, V7+, I Maj7,  Harmonic, melodic,  minor, Lick, examples, lesson, tab
John Mclaughlin 2 5 1 Harmonic minor altDom alternate picking guitar Licks

John Mclaughlin: iim7b5, V7+, I Maj7, Harmonic, Melodic, minor: Lick 2

John, Mclaughlin, iim7b5, V7+, I Maj7,  Harmonic, melodic,  minor, Lick, examples, lesson, tab
John Mclaughlin 2 5 1 Harmonic minor altDom alternate picking guitar Licks

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Shakti “Joy” Alternate Picking guitar raga exercise

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Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

PLEASE WATCH VIDEO ABOVE FOR DETAILED EXPLANATION:

This is an A Harmonic Minor group of of 7 notes in a repeated pattern:

Shakti, Joy, guitar, alternate picking, exercise, John Mclaughlin, tab, music, notation
Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

The key to this exercise is to first of all acknowledge the rest:

Shakti, Joy, guitar, alternate picking, exercise, John Mclaughlin, tab, music, notation
Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

This is essential in order to get the time: Once you have this it is essential to “Accent” the first note of each grouping.

Shakti, Joy, guitar, alternate picking, exercise, John Mclaughlin, tab, music, notation
Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

In order to get the rhythm tight you will need to accent the first note of the 2nd group louder.

Shakti, Joy, guitar, alternate picking, exercise, John Mclaughlin, tab, music, notation
Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

Here is the exercise for PDF Download:

Here is the Tab/Notation: Alternate Picking Ascending:

Shakti, Joy, guitar, alternate picking, exercise, John Mclaughlin, tab, harmonic minor, music, notation
Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

Alternate Picking Descending:

Shakti, Joy, guitar, alternate picking, exercise, John Mclaughlin, harmonic, minor, scale, tab, music, notation
Shakti “Joy” Alternate Picking guitar Raga exercise: Harmonic Minor Groups of 7

CLASSIC “SHAKTI” ALBUMS:

ABOUT “SKAKTI”: [Wiki]

Shakti were a fusion band formed by English guitarist John McLaughlin, Indian violin player L. Shankar, percussionists Zakir Hussain (on tabla) and T. H. “Vikku” Vinayakram (on Ghatam)[1] in 1974. The band played acoustic fusion music which combined Indian music with elements of jazz. The band’s Hindi name means, in English, “creative intelligence, beauty, and power.”[2]

In addition to fusing American and Indian music, Shakti also represented a fusion of the Hindustani and Carnatic music traditions, since Hussain is from the north region of India while the other Indian members are from the South.

The group came together in 1974, after the dissolution of the first incarnation of the Mahavishnu Orchestra, and toured fairly extensively during the period 1975-1977; it made only sporadic appearances (with personnel changes) thereafter.

After 1977 the albums which L. Shankar recorded with Z. Hussain and T. H. “Vikku” Vinayakram stayed close to the music made popular by Shakti. Some twenty years later McLaughlin and Hussain put together another band with the same concept, called Remember Shakti, including V. Selvaganesh (son of T. H. “Vikku” Vinayakram ), mandolin player U. Shrinivas and eventually Shankar Mahadevan.

Two concerts at the Montreux Jazz Festival (July 6, 1976 and July 8, 1977) are included among the 17 CDs of the box set Montreux Concerts by John McLaughlin.

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