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2 keys “Shifting Positions” alternate picking guitar lesson/exercise

Posted on April 11, 2023April 15, 2023 by Modern Music Theory and Application

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2 keys alternate picking guitar lesson/exercise: “Shifiting Positions”

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

Here is the analysis for the Youtube “Shorts” 2 keys alternate picking video that I uploaded a few weeks ago.

The key to this exercise is the ability to “Connect” at the point of changing scales/keys:

Here is the chart and diagram:

As you can see there is a change of harmony and scale. This in turn affects the fingering of the fretting hand and wrist as this quick change happens.

So, there is a tilt or pivot [Please watch video above to see this] as the wrist/hand gets into position:

alternate-picking-right-hand-guitar-technique-pic

alternate-picking-right-hand-guitar-technique-picture

FULL EXERCISE:

This exercise employs strict alternate picking starting on a down stroke:

The use of 4 note groupings [Tetrachords] is to keep the line solid rhythmically. Notice that the 3rd note in each 4 note grouping is accented.

Next we come to the “Connection” part. As stated earlier and in the video presentation above the pivot and tilt of the wrist and hand is essential in order to make the smooth connection.

Next we have the“Shifting Position”as the hand holds the same shape but just moves/slides down into the next position.

shifting-position-alternate-picking-guitar-technique

PDF DOWNLOAD:

ap-2-keys Download

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String Skipping/Intervallic Guitar Part 3-HARMONY

Posted on April 4, 2023April 6, 2023 by Modern Music Theory and Application

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String Skipping/Intervallic Guitar Part 2-HARMONY

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

Today, one last look at “Intervallic string skipping” for a contrapuntal-esque picking style.

The first thing to do is take one position on the guitar fingerboard and find the “Harmony” embedded within that position.

I have taken the A Major position [F#m Relative]

Now, let’s make an A Major basic arpeggio from the 1st string and the 6th string.

Straight away, you will notice that the notes on the 1st string and the notes on 6th string are the same but in different octaves. This gives us an easy and excellent way to exploit the High to Low or Low to High counterpoint effect.

Now let’s do the same with a piece of scale: [Starting on an “Upstroke”]

Again, the octave makes this flow and connect easily from the low to high.

The next point is to take a chord sequence and use this “String skipping/intervallic” effect: Here we have Vi ii V7 I

HARMONY

Th next essential point is to acknowledge the harmony in this position:

We will do this by exploiting the Cycle of 4ths in this simple 5 fret position.

Here you can see that we have a huge amount of harmony available to us right under our fingertips. These chords don’t have to be Major, they can be minor, diminished, augmented etc. This gives us even more material to work with.

If we move down a fret [Semitone] then we have another set of harmony in 4ths awaiting us.

Along, with this we have chord inversions and all of the inversions of A Major:

So, as you can see there is a huge amount of harmony right in front of us even in this one position that we can exploit and create lots of music from.

Lastly, let’s create another “String skipping intervallic” example:

I’m going to create a phrase outlining a D Maj#11 chord.