Simplify Guitar Chromatics with Easy Fingering:

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Hi Guys,

Today, we will employ chromatics [Target Tones]to a simple guitar fingering/scale that everybody knows.

Yes, this is our old mate the A minor Pentatonic scale.

Before we start: Both fingerings are essential and very useful, but, in different instances.

Okay, let’s compare fingering.

Below, is the more “Traditional” fingering:

mclaughlin-jazz-guitar-chromatics-lesson-explained-example

Now, let’s simplify this with a more intuitive John McLaughlin style guitar fingering. [2 fingers to 2 fingers with a slide].

mclaughlin-jazz-guitar-chromatics-lesson-explained-example

We will now now apply this to the simple A minor Pentatonic scale guitar shape.

mclaughlin-jazz-guitar-chromatics-lesson-explained-example

Here, we will employ a “Side Step” with chromatic target tones for more interest and chromatic colour.

mclaughlin-jazz-guitar-chromatics-lesson-explained-example

This time we will extend the line with an upbeat of 4 chromatic descending notes starting on the note D as the tonic:

mclaughlin-jazz-guitar-chromatics-lesson-explained-example

Lastly, let’s try this over a ii V7 I [Dm7 G7 CMaj7]

mclaughlin-jazz-guitar-chromatics-lesson-explained-example
mclaughlin-jazz-guitar-chromatics-lesson-explained-example

This simple minor pentatonic guitar scale/shape allows us an easy way to employ chromatics and chromaticism by exploiting it with what we are already very familiar with.

This familiarity means that it is not only easier to learn, but, also, easy to remember. Hence, we can apply it to any strings of the guitar and create some colourful and interesting sounding lines.

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MR P.C. Coltrane Backing Track and Chord Chart!

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MR P.C. Coltrane Backing Track and Chord Chart!

Mr P.C. Chart PDF Download:

Chord Chart:

MR-P.C.- Chord- Chart-John Coltrane
MR P.C. Chord Chart by John Coltrane

AUDIOTRACK

MR P.C. Coltrane Backing Track

Mr P.C History

Mr PC” is a 12 bar jazz composition in a minor blues form. The piece was composed by John Coltrane in 1959. The song is named in tribute to the bass player Paul Chambers who had accompanied Coltrane for years. It first appeared on the album Giant Steps where it was played with a fast swing feel.

Form and changes

Mr PC” is a simple 12 bar minor blues.

||: Cmin7 | Cmin7 | Cmin7 Bb/C Cmin7 | Cmin7 (C7) | Fmin7 | Fmin7 | Cmin7 Bb/C Cmin7 | Cmin7 | Ab7 | G7+9 | Cmin7 Bb/C Cmin7 | Cmin7 :||

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

In this post we will go one further than the last post. This time we will take a group of six [Sextuplets] and make a tetrachord and a half from it.

This will make 4+ 2 which will make us nail the changes with 4 notes on the first chord and 2 notes on the second chord with a short rest to reset our fretting hand to repeat the pattern again on the next two chords.

Alternate picking exercise warm up in Sextuplets/Triplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Why do this?

Because the groups of six are quite easy to play on the guitar and there a heaps of variations on each pattern. They flow easily and can be alternate picked rhythmically to create musical phrasing.

The first pattern for playing through the changes in Sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The first pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second part of the chord sequence in sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Finally, the full one bar alternate picking chord sequence nailing the changes

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

VARIATION:

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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