Alternate picking guitar technique for jazz, fusion and heavy metal. Aimed at modern jazz improvisation. Employing the alternate picking technique right hand techniques of John Mclaughlin and Al Di Meola.
EXERCISE 1: Repetition alternate picking sextuplet method by counting 1 2 3 4 5 6 to get the “feel” and rhythmic flow with the right hand picking hand.
EXERCISE 2: An alternate picking guitar rhythmic sextuplet extension following on from the first exercise
EXERCISE 2: VARIATION: another extended sextuplet variation for alternate picking. The key again is to get the sextuplet rhythms flowing from the brain/auditory into the right picking hand.
EXERCISE 3: How to use alternate picking for playing sextuplets on the “Off-beat” on guitar by missing the first beat/hearing the silent beat.
EXERCISE 4: Counting “1 and 2 and 3 and” as opposed to 1 2 3 4 5 6. For fluid alternate picking momentum around the 90 to 110 BPM metronome beat.
Today we will look at a John Mclaughlin alternate picking Jazz/Fusion improvisation cadence employing the altered dominant chord! Please watch the video below and then try it out yourself.
As you will see this cadence employs the Altered scale. It is a 2 [minor 7 flat 5] going to 5 [ “Altered Dominant”] 1 [major 7th]. This being Dm7 flat 5 G7 altered resolving to C major7.
I also employ a flat 5 substitution on the Dm7 flat 5. All of this resolves though and slips nicely into the altered dominant 5 chord. I also use pentatonics within the altered scale for rhythmic flow. Please look at the TAB/MUSIC below and play through it yourself to see and feel how it all “Naturally” unfolds. I employ alternate picking the same as John Mclaughlin.
John Mclaughlin alternate picking altered scale line Music/Tab
VARIATION With an A flat Pentatonic shape replacing A flat minor/Major Arpeggio for the flat 5 substitution.
jazz/fusion guitarist John Mclaughlin builds this Indian “Raga” through the harmonic minor scale creating a “Fusion” style of music. The key to this style and lesson is to build 4 note groupings of 16th notes called “Tetrachords”. In this lesson we use the A harmonic minor Scale and employ strict alternate picking starting on a “Down” stroke.
Keep the alternate picking rhythmical and tight by accenting the first note of each 4 note grouping. This way you will know where you are in the bar or rhythmic cycle as for example in Teen Taal.
Also, tap your foot and count time:
Indian Konokol:
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