Sextuplets Alternate Picking Guitar Lesson

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EXERCISE 1: Repetition alternate picking sextuplet method by counting 1 2 3 4 5 6 to get the “feel” and rhythmic flow with the right hand picking hand.

sextuplets alternate picking guitar lesson

EXERCISE 2: An alternate picking guitar rhythmic sextuplet extension following on from the first exercise

sextuplets alternate picking guitar lesson

EXERCISE 2: VARIATION: another extended sextuplet variation for alternate picking. The key again is to get the sextuplet rhythms flowing from the brain/auditory into the right picking hand.

sextuplets alternate picking guitar lesson

 

EXERCISE 3: How to use alternate picking for playing sextuplets on the “Off-beat” on guitar by missing the first beat/hearing the silent beat.

off-beat sextuplets alternate picking guitar lesson

EXERCISE 4: Counting “1 and 2 and 3 and” as opposed to 1 2 3 4 5 6. For fluid alternate picking momentum around the 90 to 110 BPM metronome beat.

3/4 as sextuplets in 4/4 time alternate picking guitar lesson

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Jazz/fusion improvisation Altered scale Theory Lesson

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Today we will look at a John Mclaughlin alternate picking Jazz/Fusion improvisation cadence employing the altered dominant chord! Please watch the video below and then try it out yourself.

As you will see this cadence employs the Altered scale. It is a 2 [minor 7 flat 5] going to 5 [ “Altered Dominant”] 1 [major 7th]. This being Dm7 flat 5  G7 altered resolving to C major7.

I also employ a flat 5 substitution on the Dm7 flat 5. All of this resolves though and slips nicely into the altered dominant 5 chord. I also use pentatonics within the altered scale for rhythmic flow. Please look at the TAB/MUSIC below and play through it yourself to see and feel how it all “Naturally” unfolds. I employ alternate picking the same as John Mclaughlin.

John Mclaughlin alternate picking altered scale line Music/Tab

John Mclaughlin Alternate picking Altered scale jazz improviser line

VARIATION With an A flat Pentatonic shape replacing A flat minor/Major Arpeggio for the flat 5 substitution.

 

Altered scale jazz improvisation, jazz improviser lesson

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INDIAN HARMONIC MINOR GUITAR SCALE RAGA. TEEN TAAL John Mclaughlin “Shakti” LessoN

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INDIAN HARMONIC MINOR GUITAR SCALE RAGA. TEEN TAAL John Mclaughlin “Shakti” Lesson

jazz/fusion guitarist John Mclaughlin builds this Indian “Raga” through the harmonic minor scale creating a “Fusion” style of music. The key to this style and lesson is to build 4 note groupings of 16th notes called “Tetrachords”. In this lesson we use the A harmonic minor Scale and employ strict alternate picking starting on a “Down” stroke.

INDIAN, HARMONIC, MINOR ,GUITAR, SCALE ,RAGA. TEEN ,TAAL, John, Mclaughlin, "Shakti", Lesson, alternate, picking
INDIAN HARMONIC MINOR GUITAR SCALE RAGA. TEEN TAAL John Mclaughlin “Shakti” Lesson

Keep the alternate picking rhythmical and tight by accenting the first note of each 4 note grouping. This way you will know where you are in the bar or rhythmic cycle as for example in Teen Taal.

INDIAN, HARMONIC, MINOR ,GUITAR, SCALE ,RAGA. TEEN ,TAAL, John, Mclaughlin, "Shakti", Lesson, alternate, picking
INDIAN HARMONIC MINOR GUITAR SCALE RAGA. TEEN TAAL John Mclaughlin “Shakti” Lesson

Also, tap your foot and count time:

INDIAN, HARMONIC, MINOR ,GUITAR, SCALE ,RAGA. TEEN ,TAAL, John, Mclaughlin, "Shakti", Lesson, alternate, picking
INDIAN HARMONIC MINOR GUITAR SCALE RAGA. TEEN TAAL John Mclaughlin “Shakti” Lesson

Indian Konokol:

INDIAN, HARMONIC, MINOR ,GUITAR, SCALE ,RAGA. TEEN ,TAAL, John, Mclaughlin, "Shakti", Lesson, alternate, picking
INDIAN HARMONIC MINOR GUITAR SCALE RAGA. TEEN TAAL John Mclaughlin “Shakti” Lesson

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