As Requested: Youtube Shorts and Tab/Notation

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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youtube-guitar-shorts-tab-example

Hi Guys,

As requested here are the 5 Youtube Shorts and their Notation/Tab.

Shakti/McLaughlin short lick

Tab/Notation a] Strict alternate picking starting on a down stroke:

youtube-guitar-shorts-tab-example

Tab/Notation b] Strict alternate picking starting on a down stroke:

youtube-guitar-shorts-tab-example

A Harmonic minor idea for E7

Tab/Notation a] A Harmonic minor scale over a Dominant E7 chord. Strict alternate picking starting on a down stroke:

harmonic-minor-scale-guitar-lick

Tab/Notation b] Extension

harmonic-minor-scale-guitar-lick

Tab/Notation c] Longer Extension/Connection

harmonic-minor-scale-guitar-lick

Repeated Scale fragments

Tab/Notation: Repeated Scale/Motif. Strict alternate picking starting on a down stroke:

repeated-guitar-scale-fragments

Alternate Picking guitar technique lick

Tab/Notation: Strict alternate picking starting on a down stroke:

mclaughlin-john-guitar-lick

Tab/Notation: Strict alternate picking starting on a down stroke:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

UP-STROKE Alternate Picking Concepts

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UP-STROKE Alternate Picking Guitar Concepts

Hi Guys,

Today, a quick look at starting alternate picking runs on an upstroke.

upstroke, alternate, picking, guitar, technique, example

Starting on an upstroke can be useful when playing stepwise scalic patterns/runs. This can be modal, pentatonic or major/minor.

Here, is the first little exercise/idea: [Note that this starts on an upstroke and finishes on a downstroke]

upstroke, alternate, picking, guitar, technique, example

We, will now extend this and complete the bar.

upstroke, alternate, picking, guitar, technique, example

As you can see when starting on an upstroke it is easy to connect together fragments of scale and create extended fluid lines.

Here is another example of extending and varying by employing simple scalic movement starting on the up stroke.

upstroke, alternate, picking, guitar, technique, example

Connecting scale fragments is a bit like taking the first half of the bar and imitating it into 2 phrases.

upstroke, alternate, picking, guitar, technique, example

In this next example we have rests. These are useful as they give you a split second to get your fretting hand into position.

upstroke, alternate, picking, guitar, technique, example

This time we will employ the open string to create an even pattern to an odd pattern to set up the upstroke for the next phrase.

upstroke, alternate, picking, guitar, technique, example

This time we will use the same concept to ascend with a simple piece of pentatonic/scale:

upstroke, alternate, picking, guitar, technique, example

Now we will descend starting on the up-stroke [no open string]:

upstroke, alternate, picking, guitar, technique, example

Finally, we will employ a repeated note with some scale and open string distance.

upstroke, alternate, picking, guitar, technique, example

Notice that the repeated note and the open string are on the off beat:

One last thing: When doing these and any exercises it is essential to count time. Below is an example:

upstroke, alternate, picking, guitar, technique, example

Alternate Picking Groups of 6 notes for Jazz/fusion guitar

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Alternate Picking Groups of 6 notes for Jazz/Fusion Guitar

Hi Guys,

Today, a quick look at using groups of 6 notes for double timing in Jazz/Fusion.

Although these are sextuplets I am using them as a double timing musical tool and hence thinking of them slightly differently. This is because I am using a tempo marking of 100Bpm.

Why would I do this?

The reason being – Around this tempo demisemiquavers or 32nd notes might be too quick to play and offset the rhythm too much:

Alternate-Picking-Groups-6 notes-fusion-guitar

and 16th notes [tetrachords] may be too draggy and not pushy enough.

Alternate-Picking-Groups-6 notes-fusion-guitar

So, grouping 6 notes together over [1 crotchet] or 1 quarter note works really well rhythmically for clear cut phrasing. This is the sort of thing Al Di Meola or John McLaughlin would do.

Alternate-Picking-Groups-6 notes-fusion-guitar

You can count this how you want. Below are some common examples.

Alternate-Picking-Groups-6 notes-fusion-guitar-counting-time

In order to get forward momentum and shift the grouping along it is a really good idea to “Accent” the third note in each six note grouping: This also gives you a reference point and avoids muddying the groupings of notes.

Alternate-Picking-Groups-6 notes-accents-accenting

Here is the first exercise starting on a down stroke with strict alternate picking:

Alternate-Picking-Groups-6 notes-fusion-guitar-exercise

In the next exercise the second part goes the other way on the guitar fingerboard.

Alternate-Picking-Groups-6 notes-fusion-guitar-exercise

This is an extended exercise with strict alternate picking : Remember to count the groupings as you play to begin with so that you internalise them.

Alternate-Picking-Groups-6 notes-fusion-guitar-exercise

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