John McLaughlin iii Vi ii V7 I Acoustic Jazz Guitar

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John McLaughlin iii Vi ii V7 I Jazz Guitar Line/Alternate Picking Exercise Lick

Please watch above video for detailed analysis:

Hi Guys,

This is a concept for creating longer alternate picking improvisation lines. What makes it more useful and more enjoyable is the fact that you can substitute the iii Vi ii V7 I chords.

EXAMPLE:

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

There are lots of variations on this. For instance we could add Db7 or DbMaj7 in bar 5 and have it resolve down into a CMaj chord.

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

Here is the first bar: Notice the use of 4ths and side stepping. The scale is A melodic minor based.

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

Bar 2: Notice the use of chromatics which are originally set up like approach notes. These are easy to finger and alternate pick rhythmically.

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

Bar 3: This is pentatonic based whilst highlighting the #11 note:

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

Bar 4: This bar employs an Ab melodic minor leaning for the G altered sound:

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

Final Bar: Notice that this bar resolves to a B natural for the CmMaj7 chord:

iii Vi ii V7 I-jazz-guitar-mclaughlin-lesson

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Diminished 7th and minor 7 Flat 5 Melodic Harmonisation guitar shapes

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Diminished 7th and minor7Flat5 Melody Harmonisation shapes

Please watch above video for detailed analysis:

Hi Guys,

Today, we will further our approach with simple harmonisation of a melody.

Again, we will use two easy to remember guitar chord shapes: The minor7b5 and the diminished 7th.

But, first let’s look at a useful concept when the melody has 1 whole step to harmonise.

diiminshed7th-guitar-harmony-lesson

Above, we can see how melodically this harmonisation falls easily into place.

This in turn is also a useful tool for sequences as it can be replicated:

diiminshed7th-guitar-harmony-lesson

Another and more common voicing for the minor 7th chord [in this case Em7] is this voicing:

minor7th-guitar-chord-voicing-shape

From this shape it is also very easy to create a cadence:

diiminshed7th-guitar-harmony-lesson

Another concept from this is to repeat the melody note in three different chord voicings.

diiminshed7th-guitar-harmony-lesson

Now, lets look at a simple chord shape that’s easy to play and to remember on the 2nd string of the guitar.

minor7b5-guitar-chord-shape

This is the minor 7 b5 shape which moves easily for melodies starting on the 2nd string: Let’s take this simple melody:

minor7b5-guitar-melody-2ndstring

Now, we will harmonise each note with the minor7b5 shape:

minor7b5-guitar-chord-jazz

Finally, we will mix all of this together by harmonising a simple D minor arpeggio.

diiminshed7th-guitar-harmony-lesson

Here is a variation ending with a D minor 11 chord:

diiminshed7th-guitar-harmony-lesson

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“Saint James Infirmary” BACKING JAM TRACK MODERN STYLE

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“Saint James Infirmary” Backing Track and Chord Chart for improvisation

“St James Infirmary” Chord Chart:

"Saint, James ,Infirmary", Backing, Track, Chord Chart, for, improvisation, notation
“Saint James Infirmary” Backing Track and Chord Chart for improvisation

 “St James Infirmary” PDF Chord Chart DOWNLOAD

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