IMPORTANT: Please watch video above for detailed info:
Hi Guys,
Welcome to part 2 of the John McLaughlin Modern Jazz Chords series.
First we will have a look at making chords from the whole step half step diminished scale:
The Diminished Scale
Within this scale are lots of Triads: [for instance]
From these Triads we can add different Bass Notes and produce “Slash chords“
Okay, let’s take three triads with different bass notes and join them together:
It’s important to realise that because we are employing chords form the diminished scale we have minor 3rd movement.
So, let’s add a little melody within the chords: This is the way that John McLaughlin gets that lovely Bluesy feel within the harmony. Again, this is due to the way that the minor 3rd’s work within diminshed scale harmony.
Now let’s create a Blues Composition from this diminished scale.
For the last 4 bars we will make the Harmonic Rhythm Quicker by adding a new chord sequence that employs minor7 flat 5’s with slash chords.
JOING CHORDS WITH SCALIC FRAGMENTS
It’s a good idea to join chords together with fragments of the diminished scale: This is also extremely useful when creating composition;
2x scale to chords:
All 12 Major Triads over One Note [C]
Here is an excellent exercise for hearing how all 12 major triads sound over the same single note;
Lastly, here are some misellaneous John McLaughlin guitar chords:
Shakti Chord:
Harmonic minor scale chords:
E/A
E/C
Lastly, From the Whole Tone scale [Notice: 1 tone movement]
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