PLEASE WATCH VIDEO ABOVE: [For Detailed Explanation]
FREE Pdf of all 3 Examples:
Example 1:

Example 2:

Example 3:

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Modern Music Theory Improvisation and Application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
PLEASE WATCH VIDEO ABOVE: [For Detailed Explanation]
FREE Pdf of all 3 Examples:
Example 1:

Example 2:

Example 3:

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PLEASE WATCH VIDEO ABOVE FOR EXAMPLES:
FREE PDF DOWNLOAD
John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.

In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.

Full Lick:

LICK VARIATION:

John Mclaughlin Short ii V I Jazz GuitarLick:

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Please watch video above for detailed analysis:
PDF OF ii V7 I Examples:
This first short ii V7 I is built on 4 note groupings called tetrachords. These employ scale fragments and arpeggios:
Example 1: Short ii V7 I example

The next example is a longer ii V7 I and again employs tetrachords. The first bar employs pentatonic movement whilst the second bar resolves 4-3 and employs arpeggios and scale fragments.

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