Jazz/fusion improvisation Altered scale Theory Lesson

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Today we will look at a John Mclaughlin alternate picking Jazz/Fusion improvisation cadence employing the altered dominant chord! Please watch the video below and then try it out yourself.

https://youtu.be/hfoXPKbkUtE

As you will see this cadence employs the Altered scale. It is a 2 [minor 7 flat 5] going to 5 [ “Altered Dominant”] 1 [major 7th]. This being Dm7 flat 5  G7 altered resolving to C major7.

I also employ a flat 5 substitution on the Dm7 flat 5. All of this resolves though and slips nicely into the altered dominant 5 chord. I also use pentatonics within the altered scale for rhythmic flow. Please look at the TAB/MUSIC below and play through it yourself to see and feel how it all “Naturally” unfolds. I employ alternate picking the same as John Mclaughlin.

John Mclaughlin alternate picking altered scale line Music/Tab

John Mclaughlin Alternate picking Altered scale jazz improviser line

VARIATION With an A flat Pentatonic shape replacing A flat minor/Major Arpeggio for the flat 5 substitution.

 

Altered scale jazz improvisation, jazz improviser lesson

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Indian Guitar Raga SCALE Taal lesson:SHAKTI/MCLAUGHLIN FUSION

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John Mclauhglin Shakti Indian Raga Guitar lesson through Teen Taal

This example is based upon fusion guitarist John Mclaughlin’s “Shakti” Indian Raga style of Guitar improvising through “Teen Taal”.

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Indian Guitar Raga Scale Lesson: John Mclaughlin Shakti Taal Style

As always keep the alternate picking rhythmical and count in groups of four 16th notes called “Tetrachords”. Or, count in the Indian   Konokol rhythm system “Ta Ka Di Me”. Accent the first beat of each 4 note grouping with the guitar pick.

EXAMPLE:

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Indian Guitar Raga SCALE Taal lesson:SHAKTI/MCLAUGHLIN FUSION

This will give your alternate picking consistency and fluidity because you will know where you are in the bar or the rhythmic cycle, for instance as in Teen Taal.

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