John Coltrane and McCoy Tyner Style Quartal Guitar Line | Jazz Improvisation Lesson

Hi Guys,

Today, a short John Coltrane/McCoy Tyner Style unison jazz quartal guitar line/ jazz head/riff.

This line starts with an anacrusis/upbeat. From here we employ a short pentatonic scale phrase that leads to quartal harmony that resolves down a minor 3rd interval.

I am starting this on an upstroke with strict alternate picking guitar technique.

coltrane-jazz-guitar-lick-lesson

The key to the first phrase is that it plays upon this “Motif” as it gets imitated up the octaves:

coltrane-jazz-guitar-lick-lesson-example

From here, we create contrast by descending with a pentatonic scale and push hard on a sextuplets feel for rhythmic colour and drive.

coltrane-jazz-guitar-lick-lesson

To complete the first part of this phrase, we round it off with two chords of Ab and G9

coltrane-jazz-guitar-lick-lesson

We, will now ascend and frame some interesting intervallic sounds: Opening with 5ths to 4ths with chromatic movement:

Finally, we will play the motif up a semitone one more time and ascend up in semitones to complete the phrase:

coltrane-jazz-guitar-lick-lesson

coltrane-jazz-guitar-lick-lesson
coltrane-jazz-guitar-lick-lesson

This was just a brief look at what can be done with this modal pentatonic quartal jazz style.

It’s a style very well suited to the guitar in terms of fretting and picking and it’s amazing what interesting music you can easily make from this even just by means of imitation.

Pat Martino Unpublished Book: “Intervallic Studies”

Hi Guys,

Here are some more pages from jazz guitar legend Pat Martino’s unpublished book on intervallic studies.

pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

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pat-martino-unpublished-book-intervallic-studies-pages-examples

pat-martino-unpublished-book-intervallic-studies-pages-examples

Master the Robert Fripp Cross Picking Technique | Guitar Lesson

Robert Fripp Cross Picking Guitar Technique Lesson

Hi Guys,

Just a short blog to explain what I mean by employing the “Down Down Up” guitar picking technique.

If we look at the patten below we can see the “Down Down Up” Picking pattern:

fripp-guitar-cross-picking-lesson-example

This is a very useful picking pattern/device that will hold you in good stead: But the key is to employ it sparingly.

Why is this?

This is because sometimes the rhythms we see and sometimes feel can be different than our natural inclinations when picking/plucking the strings.

So, if we look below we will see that the picking hand/subconcious wants to pluck a group of 5 notes and 3 notes to make up the 4 and 4 groups of 16th notes.

This is because of the “Crossing” of the strings, the order of the notes or the way the actual groups of notes on the guitar fingerboard work out:

fripp-guitar-cross-picking-lesson-example

fripp-guitar-cross-picking-lesson-example

The other reason to put this “Down Down Up” into what would otherwise be an alternate picking pattern is because:

This can be because of one note that has to be played on a down or upstroke specifically otherwise the whole passage is awkward to play. So, to execute “Down Down Up” for that one part makes sense.

Below, is the full exercise that deliberately mixes up “Down Down Up” and “Down up” Alternate Picking”. It’s only an exercise [Larks Tongues in Aspic III Style] but, hopefully it gets the point across.

fripp-cross-picking-lesson-guitar-technique-tab
fripp-guitar-cross-picking-lesson-example-tab
fripp-guitar-cross-picking-lesson-example

This technique can also be found in Al Di Meola’s REH video from the 1980’s. Al di Meola employs this for chordal/Arpggeio Picking, [as does Fripp sometimes].

Again, if used sparingly this right hand picking pattern/technique is absolutely essential for this type of art/creative style guitar music.

Lastly, picking one note per string is way more difficult and precise than plucking standard 3 notes per string as there’s so much string crossing going on.

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