Tag: right hand

Alternate Picking John Mclaughlin Style v7 1 EXERCISE.

Posted on by Modern Music Theory and Application
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Alternate Picking John Mclaughlin Style

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

Today we will look at a ii V7 extension in the improvisational style of jazz/fusion guitarist John McLaughlin.

HARMONY/CHORD SEQ

This is a cadential ii V7 I, but before the chord I resolution there is an added chord. This is chord Vii as a Dominant 7th. In this case this is B7:

john-mclaughlin-guitar-improvisation-technique

So, this is the chord sequence/cadence that we will improvise over.

I start this with an up-beat employing strict alternate picking.

I start the phrase on an “Upstroke” so that when I start on the 1st beat of the 1st bar I can start on a “Downstroke”for familiarity.

john-mclaughlin-guitar-improvisation-technique

The first bar is basic pentatonic scale movement. But, notice that the 2nd half of the bar encapsulates the classic McLaughlin guitar fingering signature phrase.

john-mclaughlin-guitar-improvisation-technique

The next part employs pentatonic movement again. The key is in shifting positions in the second half of the bar.

john-mclaughlin-guitar-jazz-improvisation-technique

Lastly, we have the B7 chord. We start with a second inversion F#9 outline and then we establish the 7th with the A natural. We finally cadence by landing on the note G natural the 5th of CMaj7.

john-mclaughlin-guitar-jazz-improvisation-technique

FULL LICK:

john-mclaughlin-guitar-jazz-improvisation-technique

PDF DOWNLOAD:

mcl-apMclaughlin Download

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String Skipping/Intervallic Guitar Part 3-HARMONY

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String Skipping/Intervallic Guitar Part 2-HARMONY

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

Today, one last look at “Intervallic string skipping” for a contrapuntal-esque picking style.

The first thing to do is take one position on the guitar fingerboard and find the “Harmony” embedded within that position.

I have taken the A Major position [F#m Relative]

al-di-meola-cycle-of-4ths

Now, let’s make an A Major basic arpeggio from the 1st string and the 6th string.

al-di-meola-string-skipping

Straight away, you will notice that the notes on the 1st string and the notes on 6th string are the same but in different octaves. This gives us an easy and excellent way to exploit the High to Low or Low to High counterpoint effect.

Now let’s do the same with a piece of scale: [Starting on an “Upstroke”]

al-di-meola-string-skipping-scales

Again, the octave makes this flow and connect easily from the low to high.

The next point is to take a chord sequence and use this “String skipping/intervallic” effect: Here we have Vi ii V7 I

al-di-meola-string-skipping

HARMONY

Th next essential point is to acknowledge the harmony in this position:

We will do this by exploiting the Cycle of 4ths in this simple 5 fret position.

al-di-meola-cycle-of-4ths

Here you can see that we have a huge amount of harmony available to us right under our fingertips. These chords don’t have to be Major, they can be minor, diminished, augmented etc. This gives us even more material to work with.

If we move down a fret [Semitone] then we have another set of harmony in 4ths awaiting us.

al-di-meola-cycle-of-4ths

Along, with this we have chord inversions and all of the inversions of A Major:

So, as you can see there is a huge amount of harmony right in front of us even in this one position that we can exploit and create lots of music from.

Lastly, let’s create another “String skipping intervallic” example:

I’m going to create a phrase outlining a D Maj#11 chord.

al-di-meola-string-skipping

To make this sequence quite quick I am going to add some scale from high to low:

al-di-meola-string-skipping-scales

Now we will add a V -I cadence

Now, let’s view the whole line:

al-di-meola-string-skipping

PDF DOWNLOAD:

al-di-meola-guitarstring skipping harmony Download

PDF DOWNLOAD 2:

contapuntal-guitar-lessonIntervallic guitar Download 2

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My Al di Meola Intervallic Picking Style “SHORTS” Explanation:

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Al di Meola Intervallic Picking Style Explanation: Right Hand Technique

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

This is a response and explanation to the Youtube “Shorts” video I posted employing Al Di Meola’s wide intervallic string skipping right hand guitar technique.

The first part of the pattern is:

Down Down Up Up Up Down

al-di-meola-intervallic-string-skipping-guitar-explanation

But, why pick like this?

Surely, just stick to strict alternate picking?

In theory yes: But in practice there is a chance with alternate picking that open strings will get plucked/struck by mistake due to the down stroke.

The Upstroke means that this is cancelled out: [please see video above]

The next part employs:

Down Down Up:

al-di-meola-intervallic-string-skipping-guitar-explanation

Also notice the change in rhythm from 3/4 to 6/8. This is a simple concept that works really well with wide intervallic playing and composing.

BOTH PARTS: 3/4 and 6/8 Rhythmic Feel

al-di-meola-intervallic-string-skipping-guitar-explanation

Finally we finish with the “Down Down Up” pattern again.

al-di-meola-intervallic-right-hand-guitar-technique

Also an up-beat works well with this sort of playing: Here I pluck the low open E.

al-di-meola-intervallic-right-hand-guitar-technique

FULL PHRASE:

al-di-meola-intervallic-right-hand-guitar-technique-example-lesson

PDF DOWNLOAD:

al-di-meola-intervallic-string-skipping-lessonal di meola Download

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