John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson
In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson
Full Lick:
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson
LICK VARIATION:
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson
John Mclaughlin Short ii V I Jazz GuitarLick:
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson
IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!
This little alternate picking guitar exercise is taken from John Mclaughlin’s acoustic jazz fusion C.D “Belo Herozonte”.
Although this is a simple and short exercise it displays the way to open up and extend long fluid alternate picking improvised jazz fusion guitar lines.
You can either employ orthodox fingering or the fingering that I use.
John Mclaughlin Alternate Picking “Belo Herozonte’ Guitar lick/Exercise:
Thanks for viewing this post, I hope it was interesting and useful. Please subscribe to us on youtube!
CLICK SUBSCRIBE!
