LINKS to ALL of my past Blogs/PDF Downloads/Lessons

Hi Guys,

Below, is the list of all of my past “Blogs/Lessons” that many of you have enquired about:

As you can see, in the list/links below I have delivered hundreds of free lessons/blogs and pdf downloads over the years!

This is a great thing!

But,

I cannot organise them all, as there are just too many.

So, putting them in a long list is the only way to catalogue and contain them all at this moment in time.

You can also find them all in the website menu:

BLOG SEARCH BOX

Many [not all] have free PDF Downloads

I hope that some of the lessons and downloads were of use to you!

Scriabin’s ‘Prometheus’ Mystic Chord Analysis and examples for Guitar, Orchestra and Piano

The “Prometheus” Chord-Scriabin’s “Mystic” Chord Analysis

Hi Guy’s,

Today, we will take a look at Alexander Scriabin’s “Prometheus” or mystic chord.

The “Prometheus chord,” introduced by Alexander Scriabin, is a fascinating and innovative harmonic structure that reflects the composer’s mystical and philosophical inclinations. Officially known as the “mystic chord, this six-note chord (C, F#, Bb, E, A, D) forms the foundation of Scriabin’s “Prometheus: The Poem of Fire,” Op. 60.

Okay, let’s take the scale notes in order [Hexatonic 6 notes]

Now, let’s arrange the pitches by intervals,

root
major second
major sixth
major third
minor seventh
augmented fourth
root

This results in the “Promethus/Mystic” Chord:

Analysis-of-Scriabin's-Prometheus-chord

Here is the outline of the chord in single notes:

Analysis-of-Scriabin's-Prometheus-chord

Now, let’s apply it as a guitar fingering:

Analysis-of-Scriabin's-Prometheus-chord

Here is a Barre Guitar chord shape/voicing:

Guitar-voicing-bar-chord-Scriabin-Prometheus-chord

From here, we can now play around with this unique sound and create some interesting musical ideas from it.

Here are two “Chordal picking” guitar arpeggio vamps:

In the first example the key is to make sure not to dampen the open D string in the first bar even though this same string is fretted in the second bar.

Example 1:

composing-with-Scriabin's-Prometheus-chord

In the next example [below] the key to execution is the same by remembering not to dampen any open strings with the fretting hand.

EXAMPLE 2:

composing-with-Scriabin's-Prometheus-chord

Here is an example of a longer line built from this chord/scale concept:

improvising-with-Scriabin's-Prometheus-chord
improvising-with-Scriabin's-Prometheus-chord

This little phrase exploits the chord/scale outline with some string skipping/intervallic picking to create interest and to make it more compositional in its approach.

This chord/scale is employed a lot in modern and old Film and T.V music:

Example 1: Old 70’s detective shows like “Columbo”

composing-with-Scriabin's-Prometheus-chord

Example 2: Mystery/Drama from the late 30’s early 40’s Film.

composing-with-Scriabin's-Prometheus-chord

Example 3: Tremolo Build up for suspenseful crescendo.

composing-with-Scriabin's-Prometheus-chord

In conclusion this was just a quick look at the amazing “Prometheus” chord and it’s use and function in music.

It’s a very useful tool becasue it can be employed for lovely guitar vamps, solo lines and improvisation. It’s also excellent for orchestration where drama and suspense is required.

This chord departs from traditional harmonic conventions, creating a sonorous, otherworldly soundscape that evokes transcendence and spiritual awakening. The chord’s ambiguous tonal center and unconventional intervallic relationships challenge listeners’ expectations and epitomize Scriabin’s quest to explore new harmonic realms. This daring musical innovation was part of Scriabin’s broader artistic vision, intertwining music with his synesthetic experiences and esoteric beliefs, aiming to elevate human consciousness through art.


A Natural Minor Scale/Chords/Arpeggios:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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A Natural Minor Scale/Arpeggio:Basics

Hi Guys,

Today a quick look at the Chords,Scale and Arpeggios of the A natural minor scale.

To begin with this scale is exactly the same as the C Major scale but starting on the 6th degree:

c-major-chords-of-scale-diagram

a-minor-natural-chords-of-scale-diagram

Next we will play through and exploit and “Colour” the arpeggios of the scale:

a-minor-arpeggio-diagram

b-dim-arpeggio-diagram

c-major-arpeggio-diagram

d-minor-arpeggio-diagram

e-minor-arpeggio-diagram

f-major-arpeggio-diagram

g-major-arpeggio-diagram

We will now descend in broken chords in groups of 4 notes.

arpeggios-c-major-scale

Here are a few examples of playing a different arpeggio over a different chord of the scale:

arpeggios-c-major-scale-superimpositions

Here is a basic way of breaking up the scale by employing triplets:

First we will do this on one string:

a-minor-scale-triplets-example

Now we will cross all 6 strings:

a-minor-scale-triplets-example

This time we will employ 16th’s in 4 note groupings of “Tetrachords” creating a double time smooth pentatonic line.

tetrachords-a-natural-minor-scale-example-pentatonic

We can change the Dominant [minor] chord in the A natural minor scale and make it Major:

With this in mind we realise that the G natural is now a G# and so we can employ the A Harmonic minor scale to play over it.

Here is a simple 2 finger fingering:

a-harmonic-minor-scale-dominat-chord-example

Now, let’s extend this:

a-harmonic-minor-scale-dominat-chord-example

We could also use the E7 Arpeggio:

e7-dominant-arpeggios-example

Finally, we have a lick with an arpeggio [that also implies a triad pair] going to a pentatonic phrase:

E-dominat-chord-guitar-lick

PDF DOWNLOAD:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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