Alternate Picking Guitar Tetrachords Part 2

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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alternate-picking-jazz-guitar-tetrachords-example

Hi Guys,

This is a response video to the previous video/blog. This is to explain and demonstrate the application of “Tetrachords” a bit further.

Here, I will add the video examples in Tab/Notation:

RECAP= What are Tetrachords:

“Tetrachords” are 4 note groupings to connect harmony/lines together for improvisation [and composition]

alternate-picking-jazz-guitar-tetrachords-example

When mastered they can be broken up into musical phrasing/punctuation:

Broken up/Shifted: Thus creating an upbeat

alternate-picking-jazz-guitar-tetrachords-example

Notes chopped off in the bar: Creating space and rhythmic interest.

alternate-picking-jazz-guitar-tetrachords-example

Breaking up the tetrachords like this helps to create smooth syncopations, anticipations or go the other way and play on the beat:

Now, let’s follow this through to a short extension of the phrase

tetrachords-guitar-improvising-lesson

As always it’s essential to count the time when doing this so that you know where you are in the phrase.

alternate-picking-jazz-guitar-tetrachords-example

In this video and for these examples I am employing strict alternate picking starting on a “Down Stroke”. Down Up Down Up etc.

alternate-picking-jazz-guitar-tetrachords-example

Practicing ii V7 I’s and iii Vi ii V7 I’s in various guises will really help you connect and nail the changes with your alternate picking: Below is an example with II V7 I:

alternate-picking-jazz-guitar-tetrachords-example

Now, let’s connect the harmony/chords together via tetrachords: This first example is in the style of John McLaughlin.

alternate-picking-jazz-guitar-tetrachords-improvisation-example

Notice, how smoothly the pentatonic 4 note groupings connect together

This time we will take a more basic approach with very simple fretting/fingering:

alternate-picking-jazz-guitar-tetrachords-improvisation-example

So, even through these basic examples it’s easy to see how to exploit these 4 note groupings to nail the changes and then break them up into musical phrasing/punctuation: As a further resource I would recommend John McLaughlin excellent DVD called “This is the way I do it”

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Alternate Picking Guitar Exercises/Runs 140 bpm ii v7 i

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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alternate-picking-mechanics-guitar-exercise-fusion-fluidity-lines

Hi Guys,

Today, a couple of alternate picking guitar exercises.

mclaughlin-liquid-lines-fluidity-alternate-picking-exercise

These lines are through a ii V7 I chord sequence/cadence at 140 bpm, so they are not super fast but are at the tipping point of the fusion tempo.

I am starting on a down stroke with the pick and following through with strict alternate picking in double time with 16th notes.

This first exercise employs some chromaticism ascending with pentatonic movement. The last 2 notes have a big stretch so there’s also a quick moment of detailed finger precision in the fretting hand.

alternate-picking-mechanics-guitar-exercise
alternate-picking-guitar-mechanics

As always with these types of exercises it’s important to count time and feel the pulse.

jazz-fusion-double-time-counting

This will create the “Fluidity” in movement and help connect it all together.

Next, we have a variation of the exercise above. This time starting with an upbeat and an extension all the way to the top D note.

alternate-picking-mechanics-guitar-exercise-fluidity-lines
alternate-picking-mechanics-guitar-exercise-fluidity-lines

Lastly, we have another tetrachord exercise and variation going the other way,

alternate-picking-mechanics-guitar-exercise-liquid-lines

CONCLUSION:

As you can see from these short exercises, the only way to get the alternate picking effective with jazz/fusion is through the “Connections”, because the harmony/chord changes have to be dealt with whilst picking.

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Shakti: Indian Raga alternate picking and fretting hand technique[Development]

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Hi Guys,

Today, a quick look at developing Shakti style Fusion guitar Raga’s from the Mixolydian mode.

Below, is the mode in a Pentatonic form:

shakti-indian-raga-guitar-lesson

Next, we have a phrase that is developed from this mode. In order for it to be smooth and fluid at a “Fast” tempo we will change the fingering:

shakti-indian-raga-guitar-lesson

So, here the 2nd finger comes into play. This makes connecting the phrase easy and smooth to execute with alternate picking.

shakti-indian-raga-guitar-lesson

Notice: I am starting on an upstroke. This is because it is a very smooth “Scalic” and mostly step-wise passage.

shakti-indian-raga-guitar-lesson

Below, we are starting with an anacrusis [Up Beat]. Because of this I am starting on a downstroke.

This means that the actual phrase [1st beat of the bar] will start on the upstroke for smooth step-wise scalic movement.

shakti-indian-raga-guitar-lesson

Below, we have the same thing. This time it starts on the off beat in the bar and employs the same concept:

Start on the down so the up carries the smooth scalic movement:

shakti-indian-raga-guitar-lesson

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