Alternate Picking from Ascending 5’s

Hi Guys,

Today, a quick look at building from the “Ascending group of 5” with alternate picking guitar technique.

This group of 5 exploits the “Up” stroke. It works well as a tool for building longer and longer lines/phrases.

This is NOT shred and is really only for jazz, fusion and world-esque music like John McLaughlin’s super creative outlet Shakti. It is an improvisers tool.

Here is an example of the 5 figure. It consists of an open string and starts on an upstroke.

This 4 note + 1 sets up the upstroke for the string cross.

alternate_picking_guitar_technique_example

Here’s how it would be as a tetrachord to the next beat. [As opposed to a quintuplet or Ta ka di mi Thom.

alternate_picking_guitar_technique_example

Let’s now build off of the ascending 5 figure.

In the example below, we can clearly see the extension from the 5’s to 7’s to two groups of 4 note tetrachords.

alternate_picking_guitar_technique_example

From here, we will add a Dom7th chord to the scale/phrase.

alternate_picking_guitar_technique_example

This sets us up nicely to descend smoothly starting on the upstroke.

alternate_picking_guitar_technique_example

Here, we will do exactly the same thing, except that this time we are moving from G7 to C Major. [Notice the open string and 5 figure extended].

alternate_picking_guitar_technique_example

Once again, the descent is on the upstroke.

alternate_picking_guitar_technique_example

FULL EXAMPLE:

alternate_picking_guitar_technique_example

Here, we see the process in action again. The line building from the 5 figure.

alternate_picking_guitar_technique_example

The descent starts on the upstroke as before, but, this time leads to a perfect V I cadence:

alternate_picking_guitar_technique_example

Here is a variation, but, this time in the key of A Major.

alternate_picking_guitar_technique_example

The same form of descent is employed that once again ends in a V I cadence.

alternate_picking_guitar_technique_example

Mastering John McLaughlin’s Guitar Techniques

Hi Guys,

Today, Part 2 of the alternate picking patterns/numbers for John McLaughlin style guitar playing/picking.

These are all building off of the number 5 and starting on the “Up” stroke for strict alternate picking guitar technique in standard tuning:


john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example

These example like those above expand on the number 5 but start on a “Down”stroke this time.

john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example
john_mclaughlin_guitar_technique_example

Example 1:

john_mclaughlin_guitar_technique_example

Example 2:

john_mclaughlin_guitar_technique_example

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Happy Birthday John McLaughlin! 2 Guitar Licks/Lines

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Hi Guys, and Happy Birthday John!

Here, are the two licks from the latest Youtube video!

I am starting this phrase on an “Up” stroke with strict alternate picking guitar technique.

The phrasing of this line feels like two groups of sextuplets. It’s a sort of juxtaposed phrasing as it is picked in 4 note tetrachord groupings starting on an up beat.

john-mclaughlin-guitar-lesson-alternate-picking

In the second part of the first bar, the fretting is simplified as it works into basic 2 notes per string pentatonic style phrasing:

john-mclaughlin-guitar-lesson-alternate-picking

In the last bar we are playing over the Dominant 7th chord with the the same mixed phrasing as the first bar:

john-mclaughlin-guitar-lesson-alternate-picking

Finally, we finished with 2 triads of Eminor and F Major:

john-mclaughlin-guitar-lesson-alternate-picking

This line, once again employs strict alternate picking guitar technique.

I am starting with an upbeat on the open E string. I am also starting my alternate picking on an upstroke.

As you will see, the “Up” stroke on the “Up” BEAT means that the 1st beat of the next bar will be on a Down Stroke.

From here, we can connect the Tetrachords [4 note groupings] together:

john-mclaughlin-guitar-lesson-alternate-picking

Finally, we have the same juxtaposed notes/groupings as in the first exercise. This line comes to rest on the tonic chord of C Maj7:

john-mclaughlin-guitar-lesson-alternate-picking

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords