Hexatonic Scale building from the Harmonic Minor Scale Part 1

John McLaughlin Hexatonic Harmonic minor Guitar Scales Lesson and Explanation

Hi Guys,

Today, a quick look at creating a 6 note Hexatonic scale from the harmonic minor scale.

This works really well on the guitar as the harmonic minor scale is generally a clumpy and awkward affair in regards to the fingering.

So, if we take a look at the Harmonic minor scale in its classic, stock form, we have:

But, for effective guitar fingering, especially on a clean guitar or acoustic guitar this is not the most fluid way for the fretting hand.

Well, the key is to break it up in the most Shakti way possible:

Here’s what we will do: We will employ 6 notes only of the scale. These will be: G# A B D E F

Musical notation illustrating a hexatonic scale built from the harmonic minor scale for music theory.
Hexatonic scale diagram with notation showing finger placements for guitar.

This simple 6 note Hexatonic scale gives us an easy 3 notes per string repetitive figure/pattern to alternate pick.

We can now play this across all 6 strings and create a nice line/phrase/scale that is easy to execute, pick and fret.

Sheet music displaying musical notes and tablature for a hexatonic guitar scale built from the harmonic minor scale.
Notated example of ascending and descending patterns for the Hexatonic scale on guitar.
Sheet music featuring a sequence of musical notes form the hexatonic harmonic minor scale.
Hexatonic scale notation for guitar, showcasing ascending and descending patterns.

Way 1:

Sheet music featuring guitar tablature and standard notation, for the hexatonic guitar scale built from the harmonic minor scale.
Musical notation illustrating the descending pattern for the Hexatonic scale in harmonic minor.

WAY 2:

Sheet music displaying John McLaughlin's hexatonic guitar scale built form the harmonic minor scale
Notation for the Hexatonic scale, illustrating finger placement and notes on guitar.

In Part 2 we will look at composition and improvisational techniques with the Hexatonic.

Exploring Messiaen’s Mode 1: Musical Concepts and Colorful Creations

Unlocking Messiaen’s Mode 1: Guitar Explorations

Hi Guys,

Today a look at Messiaen’s first mode of limited transposition:

This is the Whole tone scale and has two transpositions and one mode. It is a “Hexatonic” scale that has a dreamy, enigmatic air to it due to lack of resolution as all of the tones are the same distance apart.

The goal of this blog post is to create something interesting out of this scale.

Here is the first bar: This employs a Fripp-esque repetitive picking “Riff”

exploring-messiaen-mode-one-Fripp-guitar-style

From here, let’s make a smooth transition with an ascending whole tone scale:

exploring-messiaen-mode-one

Now, let’s employ some 20c Classical Messiaen style “Intervallic” movement to complete the phrase:

exploring-messiaen-mode-one-intervallic-guitar

From here, we will descend with the whole tone scale and connect it to the augmented arpeggio:

exploring-messiaen-mode-one

Let’s now return to and exploit our intervallic movement as we ascend the guitar fingerboard:

exploring-messiaen-mode-one-intervallic-guitar

Finally, let’s finish with some string skipping whole tone scale and a couple of plucks up high:

exploring-messiaen-mode-one-string-skipping-guitar

This was just an example of playing around with musical concepts and creating something colourful and interesting from Messiaen’s Mode 1.

Although, this is only a six note scale it has plenty to offer due to it’s non resolving/non diatonic nature. It works really well for riffs, motifs and hooks and really draws the listeners ear in. Even when used sparingly it can really add colour and texture to a composition [or part of] .

FREE PDF DOWNLOAD:

Exploring Messiaen’s 5th Mode of limited transposition
Messiaen’s modes of limited transposition:

King Crimson/Fripp Whole Tone Scale 2nd Part

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King Crimson/Fripp Whole Tone Scale

Please watch video above for a detailed analysis:

King Crimson/Fripp Whole Tone Scale TAB/Notation FREE Download:

This King Crimson/Robert Fripp whole tone Scale guitar Line employs strict alternate picking starting on a downstroke.

PART 1:

King-Crimson-Fripp-Whole-tone-scale
King Crimson/Fripp Whole Tone Scale

PART 2:

King-Crimson-Fripp-Whole-tone-scale
King Crimson/Fripp Whole Tone Scale

PART 3:

King-Crimson-Fripp-Whole-tone-scale
King-Crimson-Fripp-Whole-tone-scale
King Crimson/Fripp Whole Tone Scale

3 Key Points:

This is the main “Motif” of the line starting on a down stroke with strict alternate picking

King-Crimson-Fripp-Whole-tone-scale
Fripp/Crimson whole tone scale guitar less and example

I am counting with Konokol but you might want to count in western classical tradition e,g 1 and 2 and 3 and or 1 2 3 4 5 6 etc.

King-Crimson-Fripp-Konokol
Fripp/Crimson Konokol

The linking part is based upon a whole tone scale in steps and string skipping turn around lead in to the next part:

King-Crimson-Fripp-Whole-tone-scale
Fripp/King Crimson whole tone scale guitar less and example

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